Submissions from 2024
Review: How Sonata Forms: A Bottom-Up Approach to Musical Form, Jan Miyake
Sins of the Father: Schenker, Schenkerism and Ewell's On Music Theory, Bryan J. Parkhurst
Prosodic Dissonance, Eron Smith
Submissions from 2022
Symposium on Beethoven's Pianos, David Breitman
Reassessing the Plagal Cadence in Byrd and Morley, Megan Kaes Long
This Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance, James O'Leary
Submissions from 2021
The Oxford Handbook of Critical Concepts in Music Theory, Antares Boyle, Rebecca Leydon, Paul Sherrill, and Jeffrey Swinkin
Piano-Playing Revisted: What Modern Players Can Learn from Period Instruments, David Breitman
"Natural" Disasters, Cultural Framings, and Resilience in Indonesia: Transdisciplinary Engagements in an Immersion Program, Jennifer Fraser and Karla Hubbard
Dance as Music in George Balanchine's Concerto Barocco, Kara Yoo Leaman
Musical Techniques in Balanchine's Jazzy Bach Ballet, Kara Yoo Leaman
Submissions from 2020
Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century, Megan Kaes Long
What Do Signatures Signify?: The Curious Case of Seventeenth-Century English Key, Megan Kaes Long
Pitch, Tone, and Note, Bryan J. Parkhurst
Review: Composing Capital: Classical Music in the Neoliberal Era, Bryan J. Parkhurst
Submissions from 2019
Review: Les Pecheurs de perles, Andrew Pau
Submissions from 2018
A Critical Companion to Medieval Motets, Jared C. Hartt
Review: Art Rethought: The Social Practices of Art, Bryan J. Parkhurst
Music and the Armed Services Edition, Steven Plank
Submissions from 2017
Review: Stunning Males and Powerful Females: Gender and Tradition in East Javanese Dance, Jennifer Fraser
Of Programs and Prima Donnas: Investigating British Music with the Musical Festivals Database, Charles Edward McGuire
Submissions from 2016
Dallapiccola's Second Thoughts: the Epilogue to the Concerto per la notte di Natale dell'anno 1956, Brian Alegant
Submissions from 2015
Gongs & Pop Songs: Sounding Minangkabau in Indonesia, Jennifer Fraser
Review: Musical Journeys in Sumatra, Jennifer Fraser
Characteristic Tonality in the Balletti of Gastoldi, Morley, and Hassler, Megan Kaes Long
Review: British Music and Literary Context: Artistic Connections in the Long Nineteenth Century, Charles Edward McGuire
Submissions from 2014
Review: Performance, Popular Culture, and Piety in Muslim Southeast Asia, Jennifer Fraser
Review: The Art of Grafted Song: Citation and Allusion in the Age of Machaut, Jared C. Hartt
John Bull, Angelica Catalani and Middle-Class Taste at the 1820s British Musical Festival, Charles Edward McGuire
Oklahoma!, “Lousy Publicity,” and the Politics of Formal Integration in the American Musical Theater, James O'Leary
Submissions from 2013
Review: Divine Inspirations: Music and Islam in Indonesia, Jennifer Fraser
The Art of Grieving: West Sumatra's Worst Earthquake in Music Videos, Jennifer Fraser
Submissions from 2012
The Caldwell Collection of Viols: A Life Together in Pursuit of Beauty, Catharina Meints
Career of Dave Brubeck, Jeremy A. Smith
Submissions from 2011
Pop Song As Custom: Weddings, Ethnicity, And Entrepreneurs In West Sumatra, Jennifer Fraser
Submissions from 2010
Review: Mendelssohn And Victorian England, Charles Edward McGuire
Review: Film Music: A History, Colin Roust
Submissions from 2008
Listen up!: Thoughts on iPods, sonata form, and analysis without score, Brian Alegant
Submissions from 2007
On the Nature of Structural Framing, Brian Alegant
Submissions from 2006
Octatonicism in Luigi Dallapiccola's Twelve-note Music, Brian Alegant and John Levey
Submissions from 2005
So, Why Sol-Mi?, Peggy D. Bennett
Submissions from 2004
Taking Stock of Collections: A Strategy for Teaching the Analysis of Post-tonal Music, Brian Alegant
Submissions from 2003
Review: Six degrees of tonality and Beethoven in the temperament: Historical tunings on the modern concert grand, David Breitman
Submissions from 2002
Inside the cadenza of Schoenberg's piano concerto, Brian Alegant
Having Your Cake and Eating It Too: The Property of "Reflection" in Twelve-tone Rows (or, further extensions on the Mallalieu Complex), Brian Alegant and Marcus Lofthouse
Karl Gehrkens: Ohio Son, Music Education Pioneer, Comprehensive Musician, Peggy D. Bennett
Submissions from 2001
Cross-partitions As Harmony and Voice Leading in Twelve-tone Music, Brian Alegant
On the nature of enlargement, Brian Alegant
Submissions from 2000
Introduction and synoptic map, Roderic Knight
The bana, epic fiddle of Central India, Roderic Knight
Submissions from 1999
Counting Treasures: The Enumeration and Analysis of Musical Collections, Brian Alegant
When Even Becomes Odd: A Partitional Approach to Inversion, Brian Alegant
Metaphorically teaching: The use of metaphors in preparing teachers, Peggy D. Bennett
Submissions from 1996
Unveiling Schoenberg's op. 33b, Brian Alegant
Submissions from 1992
Back to School with Twelve Resolutions, Peggy D. Bennett
On Preparing Classroom Teachers to Teach Music: Rethinking Expectations, Peggy D. Bennett
Submissions from 1991
A Model for the Pitch Structure of Webern's Op. 23 No. 1, "Das dunkle Herz", Brian Alegant
Children's Pattern Perception, Accuracy, and Preference in Three Response Modes, Peggy D. Bennett
Music Out of Africa: Mande Jaliya in Paris, Roderic Knight
Submissions from 1988
The Perils and Profits of Praise, Peggy D. Bennett
The Even Partitions in Twelve-tone Music, Robert D. Morris and Brian Alegant
Submissions from 1987
From Hungary to America: The evolution of education through music, Peggy D. Bennett
Submissions from 1986
A responsibility to young voices, Peggy D. Bennett
When "method" becomes authority, Peggy D. Bennett
Submissions from 1985
The harp in India today, Roderic Knight
Submissions from 1984
Tricks, masks and camouflage: Is imitation passing for music reading?, Peggy D. Bennett
The Style of Mandinka Music: A Study in Extracting Theory From Practice, Roderic Knight
Submissions from 1982
Manding/Fula relations: As reflected in the Manding song repertoire, Roderic Knight
Submissions from 1979
Review: The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe, Roderic Knight
Submissions from 1977
Review: African Art in Motion: An Overview of African Dance Videotapes, Roderic Knight
Submissions from 1976
Review: The Griots: Ministers of the Spoken Word, Roderic Knight
Submissions from 1975
The Jali, Professional Musician of West Africa, Roderic Knight
Submissions from 1974
Mandinka drumming, Roderic Knight
Submissions from 1972
Towards a notation and tablature for the kora and its application to other instruments (revised), Roderic Knight
Submissions from 1971
Towards a notation and tablature for the kora and its application to other instruments, Roderic Knight
