Faust “Feminized”: Reconceptualizing the Role of Marguerite in Romantic Music
Location
Science Center, A254
Document Type
Presentation
Start Date
4-24-2015 2:45 PM
End Date
4-24-2015 3:45 PM
Abstract
This research examines the role of Marguerite in musical representations of Goethe’s Faust and the way various composers sought to portray her character to a Romantic audience. I use the memoirs of these composers, original scores, and feminist analyses of musicology to explore how hegemonic attitudes have influenced Marguerite’s portrayal as a femme fragile. How do these musical representations of Marguerite conform to or divert from a feminist musicological perspective? I offer a new approach to conceptualizing Marguerite as a woman subject to patriarchal structures, as well as a potential reinterpretation of her character consistent with a feminist perspective.
Recommended Citation
Oswald, Natalie, "Faust “Feminized”: Reconceptualizing the Role of Marguerite in Romantic Music" (04/24/15). Senior Symposium. 25.
https://digitalcommons.oberlin.edu/seniorsymp/2015/presentations/25
Major
French; Musical Studies
Advisor(s)
Grace An, French
Charles McGuire, Musicology
Project Mentor(s)
Charles McGuire, Musicology
April 2015
Faust “Feminized”: Reconceptualizing the Role of Marguerite in Romantic Music
Science Center, A254
This research examines the role of Marguerite in musical representations of Goethe’s Faust and the way various composers sought to portray her character to a Romantic audience. I use the memoirs of these composers, original scores, and feminist analyses of musicology to explore how hegemonic attitudes have influenced Marguerite’s portrayal as a femme fragile. How do these musical representations of Marguerite conform to or divert from a feminist musicological perspective? I offer a new approach to conceptualizing Marguerite as a woman subject to patriarchal structures, as well as a potential reinterpretation of her character consistent with a feminist perspective.
Notes
Session 2, Panel 10 - The Poetics of the Lives of Others
Moderator: Tom Newlin, Chair and Associate Professor of Russian Language, Literature, and Culture