Submissions from 2025
Review: Shifting Lines, Entangled Borderlands: Mobilities and Migration Along the Prussian Eastern Railroad, Annemarie Sammartino
Submissions from 2024
Review: Creek Internationalism in an Age of Revolution, 1763-1818, Matthew Bahar
Review: Time of Anarchy: Indigenous Power and the Crisis of Colonialism in Early America, Matthew Bahar
Review: Plays of Arabic Heritage, Kari Barclay
Review: The nature of her game: A sexual relationship of 'pure and bitter hatred', Emily Barton
Review: Kleines Buch zu Goethes Iphigenie auf Tauris. Zum Lesen—Zum Spielen, Steven R. Huff
Review: How Sonata Forms: A Bottom-Up Approach to Musical Form, Jan Miyake
Review: Duncan Terrace Piano Destruction Concert: The Landesmans’ Homage to “Spring can really hang you up the most” (art installation), Ana Cristina Perry
Review: Paradise for a Tourist Brochure (art installation), Ana Cristina Perry
Review: Spoken Softly with Mama (art installation), Ana Cristina Perry
Review: Jewish Sunday Schools: Teaching Religion in Nineteenth-Century America, Shari Rabin
Review: Charlottengrad: Russian Culture in Weimar Berlin, Annemarie Sammartino
Review: Everyday Zionism in East Central Europe: Nation-Building in War and Revolution, 1914-1920, Annemarie Sammartino
Review: Horace: A Very Short Introduction, Christopher Trinacty
Review: Minds on Stage: Greek Tragedy and Cognition, Christopher Trinacty
Review: Minds on Stage: Greek Tragedy and Cognition, Christopher Trinacty
Review: The Meteorology of Posidonius, Christopher Trinacty
Review: The Neronian Grotesque, Christopher Trinacty
Review: The Families’ Civil War: Black Soldiers and the Fight for Racial Justice, Caroline Wood Newhall
Submissions from 2023
Review: "Instinct and Obligation": Is Mother Dead, Emily Barton
Review: Imperial Mecca: Ottoman Arabia and the Indian Ocean Hajj, Rishad Choudhury
Review: Rethinking the Modern Chinese Canon: Refractions across the Transpacific, Hsiu-Chuang Deppman
Review: Ofensiva a los oídos piadosos: obscenidad y censura en la poesía española y novohispana del siglo XVIII, Ana María Díaz Burgos
Review: Fractured Frontiers: The Exile Writing of Nazi Germany and Francoist Spain, Sebastiaan Faber
