Submissions from 2014
Review: Von Oberlin nach Ostberlin. Als Amerikaner unterwegs in der DDR-Literaturszene, Elizabeth C. Hamilton
Review: The Art of Grafted Song: Citation and Allusion in the Age of Machaut, Jared C. Hartt
Review: Bleak Houses: Disappointment and Failure in Architecture, John Harwood
Review: Little White Houses: How the Postwar House Constructed Race in America, John Harwood
Review: Phantasmal Media: An Approach to Imagination, Computation, and Expression, John Harwood
Review: Communicating Beyond Language: Everyday Encounters with Diversity, Erika Hoffmann-Dilloway
Review: Buying Time: The Delayed Crisis of Democratic Capitalism, Chris Howell
Review: Trade Unions in Western Europe: Hard Times, Hard Choices, Chris Howell
Review: Opening up Middle English manuscripts: literary and visual approaches, Erik Inglis
Music Reviews in ClevelandClassical.com (15), Nicholas Jones
Review: Five Came Back A Story of Hollywood and the Second World War, Clayton R. Koppes
Review: The Great Ocean: Pacific Worlds from Captain Cook to the Gold Rush, Shelley Sang-Hee Lee
Review: African American History in New Mexico: Portraits from Five Hundred Years, Pablo R. Mitchell
Review: Heart-Pine Russia: Walking and Writing the Nineteenth-Century Forest, Thomas Newlin
Review: Sex and Sexuality in Classical Athens, Kirk Ormand
Review: The United States of the United Races: An Utopian History of Racial Mixing, Renee C. Romano
Review: Between Feminism and Islam: Human Rights and Sharia Law in Morocco, Eve Sandberg
Review: UNRWA and Palestinian Refugees: From Relief and Works to Human Development, Benjamin Schiff
Review: Dune Worlds: How Windblown Sand Shapes Planetary Landscapes, Bruce M. Simonson
Review: Planetary Geology: an Introduction, Bruce M. Simonson
Review: The Earth as Cradle for Life: The Origin, Evolution and Future of the Environment, Bruce M. Simonson
Review: Quantum Mechanics: The Theoretical Minimum, Daniel Styer
Review: Rivers of Gold, Lives of Bondage: Governing through Slavery in Colonial Quito, Danielle Terrazas Williams
Review: Walter Scott and Contemporary Theory, Natasha Tessone
