Submissions from 2015
Review: Goethes Freunde in Gotha und Weimar, Steven R. Huff
Music Reviews in ClevelandClassical.com (22), Nicholas Jones
Review: Straights: Heterosexuality in Post-closeted Culture, Greggor Mattson
Review: British Music and Literary Context: Artistic Connections in the Long Nineteenth Century, Charles Edward McGuire
Review: Emerson's English Traits and the Natural History of Metaphor, T.S. McMillin
Review: Modern Argentine Masculinities, Patrick O'Connor
Review: Sites of Slavery: Citizenship and Racial Democracy in the Post–Civil Rights Imagination, Renee C. Romano
Review: Designing Tito's Capital: Urban Planning, Modernism, and Socialism in Belgrade, Annemarie Sammartino
Review: Listening for Democracy: Recognition, Representation, Reconciliation, Jade Schiff
Review: Four revolutions in the earth sciences: from heresy to truth, Bruce M. Simonson
Review: Geology and resource potential of the Congo Basin, Bruce M. Simonson
Review: Introducing the planets and their moons, Bruce M. Simonson
Review: Free Jazz/Black Power, Jeremy Smith
Review: "War, International Law, and International Relations": A Scrap of Paper: Breaking and Making International Law During the Great War, Leonard V. Smith
Review: "Accounting for the Soul": Mussar Yoga, Abraham Socher
Review: Seneca: Medea, Christopher Trinacty
Submissions from 2014
Review: Freedom From Violence and Lies: Essays on Russian Poetry and Music by Simon Karlinsky, Polina Dimova
Review: The Invention of Religion in Japan, James C. Dobbins
Review: Biografía de un hombre masa. ¿Qué le debe España a José Ortega y Gasset?, Sebastiaan Faber
Review: Campo francés; Poeta en la arena; El paraíso incendiado, España 1936-1939; La almohada de arena; Versos del maquis, Sebastiaan Faber
Review: La traición de los intelectuales, Sebastiaan Faber
Review: Los (anti)intelectuales de la derecha en España: de Giménez Caballero a Jiménez Losantos, Sebastiaan Faber
Review: Los poetas apócrifos de Max Aub, Sebastiaan Faber
Review: Max Aub und die spanische Literatur zwischen Avantgarde und Exil, Sebastiaan Faber
