Submissions from 2018


Sensory Malfunctions, Limitations, and Trade-offs, Todd Ganson

The Senses as Signalling Systems, Todd Ganson


Review: Art Rethought: The Social Practices of Art, Bryan J. Parkhurst

Review: Film, Art, and the Third Culture: A Naturalized Aesthetics of Film, Katherine Thomson-Jones

Submissions from 2017

Against Bracketing and Complacency: Metaphysics and the Methodology of the Sciences, Martin Thomson-Jones

Submissions from 2016


On the Generality of Experience: A Reply to French and Gomes, Neil Mehta and Todd Ganson

Art and the Information Society, Katherine Thomson-Jones


Current Controversies in Philosophy of Film, Katherine Thomson-Jones

How to Teach Philosophy of Film, Katherine Thomson-Jones

Movie Appreciation and the Digital Medium, Katherine Thomson-Jones

Proceedings of the 41st Oberlin Colloquium in Philosophy: Metaphysics, Martin Thomson-Jones

Models and Simulations 6, Martin Thomson-Jones and Adam Toon

Submissions from 2015


Philosophy of Film, Katherine Thomson-Jones


The Philosophy of Digital Art, Katherine Thomson-Jones

Submissions from 2014

Burge's Defense of Perceptual Content, Todd Ganson, Ben Bronner, and Alex Kerr

Submissions from 2013


Are Color Experiences Representational?, Todd Ganson


Visual Prominence and Representationalism, Todd Ganson and Ben Bronner

Imagination in Ethics, Katherine Thomson-Jones

Review: Cinema, Philosophy, Bergman, Katherine Thomson-Jones

Sensing Motion in Movies, Katherine Thomson-Jones

Submissions from 2011


Epistemic and Pragmatic Principles for an Uncertain World, Dorit Ganson

Proceedings of the Thirty-Ninth Oberlin Colloquium: Epistemology, Dorit Ganson

Review: A Philosophy Of Cinematic Art, Katherine Thomson-Jones

Review: Scientific Representation: Paradoxes of Perspective, Martin Thomson-Jones

Structuralism about Scientific Representation, Martin Thomson-Jones

Submissions from 2010

Everyday Thinking About Bodily Sensations, Todd Ganson and Dorit Ganson

Does a Fetus Already Have a Future-Like-Ours, Peter McInerney

Missing Systems And The Face Value Practice, Martin Thomson-Jones

Submissions from 2009

The Rational/Non-Rational Distinction in Plato's Republic, Todd Ganson

Cinematic Narrators, Katherine Thomson-Jones

Submissions from 2008

Evidentialism and Pragmatic Constraints on Outright Belief, Dorit Ganson

Reid's Rejection of Intentionalism, Todd Ganson

Review: "Finding Freedom Through Complexity": Did My Neurons Make Me Do It? Philosophical and Neurobiological Perspectives on Moral Responsibility and Free Will, Todd Ganson

Doing Harm, Allowing Harm, and Denying Resources, Tim Hall


New Waves in Aesthetics, Kathleen Stock and Katherine Thomson-Jones


Aesthetics and Film, Katherine Thomson-Jones

Formalism, Katherine Thomson-Jones

Introduction to New Waves in Aesthetics, Katherine Thomson-Jones

Review: The Philisophy of Film, Katherine Thomson-Jones

Submissions from 2007

Van Fraassen’s Dutch Book Argument Against Explanationism, Dorit Ganson

Proceedings of the 2006 Oberlin Colloquium in Philosophy (Special Issue), Katherine Thomson-Jones

The Literary Origins of the Cinematic Narrator, Katherine Thomson-Jones

Submissions from 2005


Reid on Color, Todd Ganson


The Platonic Approach to Sense-Perception, Todd Ganson

Submissions from 2003


Alexander of Aphrodisias on the Role of Color Appearances, Todd Ganson

Submissions from 2001

The Explanationist Defense of Scientific Realism, Dorit Ganson


Appetitive Desire in Later Plato, Todd Ganson


Review: Aristotle on the Sense-Organs, Todd Ganson