Submissions from 2023
Amnesia, Chaos, Trauma: Kleist's Memory Games, Steven Huff
Submissions from 2021
What Kind of Island in What Kind of Sea, Franz Fühmann, Dietmar Riemann, and Elizabeth C. Hamilton
Submissions from 2020
Enormous ‘Fatherbodies’: Kafka’s Brief an den Vater and Peter Stephan Jungk’s Die Reise über den Hudson, Gabriel Cooper
Facing East: Orientalism and Antisemitism in Heine's Hebräische Melodien, Gabriel S. Cooper
What Good is the Canon for a Diversified and Decolonized Curriculum?, Gabriel S. Cooper
Submissions from 2019
Review: The Translated Jew: German Jewish Culture outside the Margins, Gabriel S. Cooper
Review: The Wounded Self: Writing Illness in Twenty-First-Century German Literature, Elizabeth C. Hamilton
Submissions from 2018
Foreward to Disability and World Language Learning: Inclusive Teaching for Diverse Learners, Elizabeth C. Hamilton
Submissions from 2017
Feuchtwanger's Jud Süß and the Ambiguities of Jewish Political Power, Gabriel S. Cooper
The Medium is the Knapsack. Johann Gottfried Seume's Travelogue Spaziergang nach Syrakus im Jahre 1802, Gabriel S. Cooper
Diagnoses That Matter: My Great-Grandmother's Murder as One Deemed 'Unworthy of Living' and Its Impact on Our Family, Elizabeth C. Hamilton and Leo R. Kalkbrenner
Engaging Students Through Foreign Language Campus Housing: A Case Study of a Small German Language Program, Sabine Marina Jones
Submissions from 2016
A Collision of Values: Text, Music, and Nascent Enlightenment JC Gottsched's and JS Bach's Trauerode, Steven R. Huff and Daniel Zager
Submissions from 2015
Review: Jewish Pasts, German Fictions: History, Memory and Minority Culture in Germany, 1824-1955, Gabriel S. Cooper
Review: Goethes Freunde in Gotha und Weimar, Steven R. Huff
Submissions from 2014
Review: Von Oberlin nach Ostberlin. Als Amerikaner unterwegs in der DDR-Literaturszene, Elizabeth C. Hamilton
From Terezin to Berlin: The Survivors' Return, Heidi Thomann Tewarson
Submissions from 2013
Review: Venedig als urbanes Kunstwerk. Goethes Perspektiven auf Kultur und Öffentlichkeit der Dogenrepublik im Epochenumbruch, Steven R. Huff
Submissions from 2012
Es ist seit Rahel uns erlaubt, Gedanken zu haben: Essays in Honor of Heidi Thomann Tewarson, Steven R. Huff and Dorothea Kaufmann
Submissions from 2009
Heinrich von Kleist’s Poetics of Passivity, Steven R. Huff
Lexical articles on Barbara Honigmann, Katja Lange-Müller, Reception of DDR Literature, Heidi Thomann Tewarson
Submissions from 2008
Worlds Apart? Disability and Foreign Language Learning, Tammy Berberi, Elizabeth C. Hamilton, and Ian M. Sutherland
Teaching German to Students Who are Blind: A Personal Essay on the Process of Inclusion, Elizabeth C. Hamilton
Toni Morrison, Heidi Thomann Tewarson
Submissions from 2007
Usereins muß auf die Bühne: The Tin Drum and the Stage, Elizabeth C. Hamilton
Über das Fremdsein – ein Leben lang, Heidi Thomann Tewarson
Submissions from 2006
Of Miracles and Pedestals: Helen Keller in German Culture, Elizabeth C. Hamilton
Submissions from 2005
Review: The Normal One: Life with a Difficult or Damaged Sibling, Elizabeth C. Hamilton
The State of the Community: Foreign Language Students with Disabilities and Language Lab Technology, Elizabeth C. Hamilton
Ulrich Plenzdorf: After Oberlin, Elizabeth C. Hamilton
Language Barriers and Barriers to Language: Disability in the Foreign Language Classroom, Elizabeth C. Hamilton and Tammy Berberi
Willkommen und Abschied: Thirty-Five Years of German Writers-in-Residence at Oberlin College, Dorothea Kaufmann and Heidi Thomann Tewarson
Submissions from 2004
Deafening Sound and Troubling Silence in Volker Schlöndorff’s Die Blechtrommel, Elizabeth C. Hamilton
No Longer Unreasonable: Disability in German Cinema, Elizabeth C. Hamilton
Submissions from 2003
Imaginary Bridges: Politics and Film Art in Robert Musil's "Die Verwirrungen des Zöglings Törleß" and Volker Schlöndorff's "Der junge Törleß", Elizabeth C. Hamilton
Submissions from 2002
Read the Book or Watch the Movie? "Der Richter und sein Henker" at the Intermediate Level, Elizabeth C. Hamilton
Submissions from 2000
Review: Critical Approaches to Goethe's Classical Dramas: Iphigenie, Torquato Tasso, and Die natürliche Tochter, Steven R. Huff
Submissions from 1995
Review: Heinrich von Kleist. The dramas and stories, Steven R. Huff
Review: Music and German literature: Their relationship since the Middle Ages, Steven R. Huff
Submissions from 1993
Review: Goethes "Versohnungsbilder": Eine geschichtsphilosophische Untersuchung zu Goethes spaten Werken, Steven R. Huff
Submissions from 1992
Submissions from 1991
Review: German Classical Drama: Theatre, Humanity and Nation, Steven R. Huff
Review: Richard Wagners Meistersinger: Eine Fuhrung durch das Werk, Steven R. Huff
Teaching Problems of Periodization: Three Approaches, Steven R. Huff
The Holunder Motif in Kleist's Das Kathchen von Heilbronn and Its Nineteenth-Century Context, Steven R. Huff
Submissions from 1990
Friedrich Hartwich's "Globus Fortunae" (1617): A Dramatization of the "Amadis", Steven R. Huff
Review: Die zerbrochenen Bilder: Gestorte Ordnungen im Werk Heinrich von Kleists, Steven R. Huff
Submissions from 1989
Review: Fruhe Formen der deutschen Novelle im 18. Jahrhundert, Steven R. Huff
Review: Inventions of reading: Rhetoric and the literary imagination, Steven R. Huff
Review: Ironische Metaphysik: Die Erzahlungen Heinrich von Kleists, Steven R. Huff
Review: Music and Mozart in the life of Goethe, Steven R. Huff
Submissions from 1988
The Early German Libretto: Some Reconsiderations Based on Harsdorffer's 'Seelewig', Steven R. Huff
Submissions from 1987
Review: Mythische Strukturen im Werk Heinrich von Kleists, Steven R. Huff
Submissions from 1984
Lotte's Klavier: A resounding symbol in Goethe's Die Leiden des jungen Werthers, Steven R. Huff
Submissions from 1982
Kleist and expectant virgins: The meaning of the "O" in "Die Marquise von O...", Steven R. Huff
