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Theses/Dissertations from 2020

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To Love is Human: Leonid Zorin's A Warsaw Melody Considering Concepts Love and Fate in Russian Culture Reflected in its Theatre Tradition, Christine Louise Impara

Events from 2019

The Brothers Size​: Directing in the Africana Aesthetic, Ti Ames and Caroline Jackson Smith

Peklo the Dance Film, Sophia Attebery

The Life of John Laurens, Alex Kohn

Events from 2018

A Melody in a Different Key: Reconstructing Cultural Subjectivity from Shaw to O’Casey to Hansberry, Henry DuBeau

Defining Success: A Study of Oberlin College Programming, Rayna Storm Holmes

"Unsex Me Here": Teaching Shakespeare Across Race and Gender, Han Taub

Exploring Implications of Artistic Motivations in Dance, Shai Wolf

Events from 2017

To Make You Feel Something: Analyzing Branden Jacobs-Jenkins’s An Octoroon, Anthony Moaton

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Crafting Wendla Bergmann in Spring Awakening, Amy R. Weintraub

Events from 2016

All the Stages of Our Lives: Dramatizing Stories with Men in Prison, Lillian White

Events from 2014

Symmetries in Practice: Ruth Crawford Seeger's Diaphonic Suites in Graphical Representation, Technical Analysis, and Historiographic Discussion, Alyssa Civian

Events from 2013

The Winter's Tale, Carter Sligh

Theses/Dissertations from 2011

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The Hothouse and Dynamic Equilibrium in the Works of Harold Pinter, Ben Ferber

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"Spending the day in front of the mirror", Lauren Friedlander

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Negotiating Comedy and Rape Culture in Gina Gionfriddo’s After Ashley, Jenny Gaeng

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Mieko Gavia: The Dog Project, Mieko Gavia