Exploring Implications of Artistic Motivations in Dance
Location
King Building 237
Document Type
Presentation
Start Date
4-27-2018 11:00 AM
End Date
4-27-2018 12:20 PM
Abstract
This research entails a preliminary investigation of the way choreography is created, performed, and interpreted. The aim of the project is to better understand the process in which movers make work regarding identity and the potential implications of music and sound choices, movement, and bodies. This research will explore the artistic motivations of storytelling and representations of the self in dance and performance. I will aim to tie together understandings of vulnerability, performativity, and the body within the field of anthropology to explore the intentions of choreographers and dancers making identity based works and how their choices and bodies might reflect larger social implications and function as a field-site for interpretations of identity. The project will involve understandings of my own experiences both in creating and working with choreographers, interviews with choreographers, and participant observation.
Keywords:
dance, identity, intention
Recommended Citation
Wolf, Shai, "Exploring Implications of Artistic Motivations in Dance" (04/27/18). Senior Symposium. 4.
https://digitalcommons.oberlin.edu/seniorsymp/2018/presentations/4
Major
Dance
Advisor(s)
Alysia Ramos, Dance
Project Mentor(s)
Crystal Biruk, Anthropology
April 2018
Exploring Implications of Artistic Motivations in Dance
King Building 237
This research entails a preliminary investigation of the way choreography is created, performed, and interpreted. The aim of the project is to better understand the process in which movers make work regarding identity and the potential implications of music and sound choices, movement, and bodies. This research will explore the artistic motivations of storytelling and representations of the self in dance and performance. I will aim to tie together understandings of vulnerability, performativity, and the body within the field of anthropology to explore the intentions of choreographers and dancers making identity based works and how their choices and bodies might reflect larger social implications and function as a field-site for interpretations of identity. The project will involve understandings of my own experiences both in creating and working with choreographers, interviews with choreographers, and participant observation.
Notes
Session I, Panel 1 - Identity | Performativity
Moderator: KJ Cerankowski, Assistant Professor of Comparative American Studies and Gender, Sexuality & Feminist Studies