"Crooked" Language: Moroccan Heritage, Identity, and Belonging on Youtube
Location
King Building 101
Document Type
Presentation
Start Date
4-27-2018 12:00 PM
End Date
4-27-2018 1:20 PM
Abstract
With the advent of user-generated social media, users are able to assert their ideas, opinions and positionality through online multi-way communication and participation. One such website is Youtube, a video platform where language production and identity negotiation are common. This thesis looks at a series of videos published on Youtube, entitled the “Moroccan Tag,” to examine the ways 5 second-generation French-Moroccan Youtubers assert their national identities online. Using methods of guerrilla ethnography, I glean discourse from video content and comments to outline three key scaler processes by which identity performance manifests: through language ideologies, semiotic ideologies surrounding “authenticity,” and the construction of imagined community. Together, my observations add to continuing conversations on diasporic identity, translanguaging and digital discourse.
Keywords:
digital discourse, social media, identity, language ideologies, transnationalism
Recommended Citation
Lahlou, Radia, ""Crooked" Language: Moroccan Heritage, Identity, and Belonging on Youtube" (04/27/18). Senior Symposium. 26.
https://digitalcommons.oberlin.edu/seniorsymp/2018/presentations/26
Major
Anthropology; Linguistics (IM)
Advisor(s)
Baron Pineda, Anthropology
Gillian Johns, Linguistics (IM)
Jason Haugan, Linguistics (IM)
Project Mentor(s)
Erika Hoffman-Dilloway, Anthropology
Baron Pineda, Anthropology
April 2018
"Crooked" Language: Moroccan Heritage, Identity, and Belonging on Youtube
King Building 101
With the advent of user-generated social media, users are able to assert their ideas, opinions and positionality through online multi-way communication and participation. One such website is Youtube, a video platform where language production and identity negotiation are common. This thesis looks at a series of videos published on Youtube, entitled the “Moroccan Tag,” to examine the ways 5 second-generation French-Moroccan Youtubers assert their national identities online. Using methods of guerrilla ethnography, I glean discourse from video content and comments to outline three key scaler processes by which identity performance manifests: through language ideologies, semiotic ideologies surrounding “authenticity,” and the construction of imagined community. Together, my observations add to continuing conversations on diasporic identity, translanguaging and digital discourse.
Notes
Session II, Panel 7 - Politicized | Knowledge
Moderator: Sarah El-Kazaz, Assistant Professor of Politics