Comparing Students’ and Educators’ Perspectives on Composing Music in the Elementary Classroom
Location
Science Center, A247
Document Type
Presentation
Start Date
4-25-2014 2:45 PM
End Date
4-25-2014 3:45 PM
Abstract
Composing music gives children a deeper understanding of themselves, better social and cognitive skills, and a sense of personal agency, according to dominant voices in music education research. Whether children who study music composition would agree is a question that researchers have only recently begun to ask. In this project, I use my work with students in local music programs to test the validity of prevailing pedagogical claims about the benefits of composition. By comparing my findings with previous ones, I hope to contribute to the burgeoning research into students’ perspectives on composition in the classroom.
Recommended Citation
Castañares, Siena, "Comparing Students’ and Educators’ Perspectives on Composing Music in the Elementary Classroom" (04/25/14). Senior Symposium. 20.
https://digitalcommons.oberlin.edu/seniorsymp/2014/presentations/20
Major
Musical Studies; Psychology
Advisor(s)
Joseph Lubben, Music theory
Travis Wilson, Psychology
Project Mentor(s)
Devin Burke, Musicology
April 2014
Comparing Students’ and Educators’ Perspectives on Composing Music in the Elementary Classroom
Science Center, A247
Composing music gives children a deeper understanding of themselves, better social and cognitive skills, and a sense of personal agency, according to dominant voices in music education research. Whether children who study music composition would agree is a question that researchers have only recently begun to ask. In this project, I use my work with students in local music programs to test the validity of prevailing pedagogical claims about the benefits of composition. By comparing my findings with previous ones, I hope to contribute to the burgeoning research into students’ perspectives on composition in the classroom.
Notes
Session II, Panel 11 - A Voice of One’s Own: Reflections on Writing, “Coming Out,” and Composing
Moderator: Jan Miyake, Conservatory Associate Dean and Associate Professor of Music Theory