Renegotiating a Beheading: Literary Opposition to Varna Hierarchy in Shambuka’s Story
Location
Science Center, A255
Document Type
Presentation
Start Date
4-26-2013 4:00 PM
End Date
4-26-2013 5:00 PM
Abstract
The Ramayana's Shambuka story is a controversial incident that has served as the basis for the negotiation and renegotiation of social power structures in India for thousands of years. Because the episode is fundamentally about India's system of caste hierarchy, or varna, any retelling will by its very nature engage in a formulation of relation between different social identities and locations. Close reading of these retellings reveals the ways in which the adaptations and appropriations of each version create new literary meaning that provide insight into varna hierarchy as a normative body of social control. Despite the Shambuka incident's hegemonic history, transgressive participation in this narrative tradition constitutes a form of literary opposition to the established order. By breaking the tradition's reiteration of normative ideologies, these retellings open space for new conceptions of power and varna relations.
Recommended Citation
Nunan, Thomas, "Renegotiating a Beheading: Literary Opposition to Varna Hierarchy in Shambuka’s Story" (04/26/13). Senior Symposium. 37.
https://digitalcommons.oberlin.edu/seniorsymp/2013/presentations/37
Major
Religion
Advisor(s)
Paula Richman, Religion
Project Mentor(s)
Paula Richman, Religion
April 2013
Renegotiating a Beheading: Literary Opposition to Varna Hierarchy in Shambuka’s Story
Science Center, A255
The Ramayana's Shambuka story is a controversial incident that has served as the basis for the negotiation and renegotiation of social power structures in India for thousands of years. Because the episode is fundamentally about India's system of caste hierarchy, or varna, any retelling will by its very nature engage in a formulation of relation between different social identities and locations. Close reading of these retellings reveals the ways in which the adaptations and appropriations of each version create new literary meaning that provide insight into varna hierarchy as a normative body of social control. Despite the Shambuka incident's hegemonic history, transgressive participation in this narrative tradition constitutes a form of literary opposition to the established order. By breaking the tradition's reiteration of normative ideologies, these retellings open space for new conceptions of power and varna relations.
Notes
Session III, Panel 14: Rewrites, Replays, and Remixes: Reflections on Shakespeare, The Ramayana, Music Techonology, and Chile
Moderator: Jeff Pence, Associate Professor of Cinema Studies and English
Full text thesis available here.