Submissions from 2021

The Oxford Handbook of Critical Concepts in Music Theory, Antares Boyle, Rebecca Leydon, Paul Sherrill, and Jeffrey Swinkin

Dance as Music in George Balanchine's Concerto Barocco, Kara Yoo Leaman

Musical Techniques in Balanchine's Jazzy Bach Ballet, Kara Yoo Leaman

Submissions from 2020

Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century, Megan Kaes Long

What Do Signatures Signify?: The Curious Case of Seventeenth-Century English Key, Megan Kaes Long

Pitch, Tone, and Note, Bryan J. Parkhurst

Review: Composing Capital: Classical Music in the Neoliberal Era, Bryan J. Parkhurst

Submissions from 2019

Review: Les Pecheurs de perles, Andrew Pau

Submissions from 2018

A Critical Companion to Medieval Motets, Jared Hartt


Review: Art Rethought: The Social Practices of Art, Bryan J. Parkhurst

Submissions from 2016

Dallapiccola's Second Thoughts: the Epilogue to the Concerto per la notte di Natale dell'anno 1956, Brian Alegant

Submissions from 2015


Characteristic Tonality in the Balletti of Gastoldi, Morley, and Hassler, Megan Kaes Long

Submissions from 2014


Review: The Art of Grafted Song: Citation and Allusion in the Age of Machaut, Jared C. Hartt

Submissions from 2008


Listen up!: Thoughts on iPods, sonata form, and analysis without score, Brian Alegant

Submissions from 2007


On the Nature of Structural Framing, Brian Alegant

Submissions from 2006

Octatonicism in Luigi Dallapiccola's Twelve-note Music, Brian Alegant and John Levey

Submissions from 2004


Taking Stock of Collections: A Strategy for Teaching the Analysis of Post-tonal Music, Brian Alegant

Submissions from 2002


Inside the cadenza of Schoenberg's piano concerto, Brian Alegant


Having Your Cake and Eating It Too: The Property of "Reflection" in Twelve-tone Rows (or, further extensions on the Mallalieu Complex), Brian Alegant and Marcus Lofthouse

Submissions from 2001

Cross-partitions As Harmony and Voice Leading in Twelve-tone Music, Brian Alegant


On the nature of enlargement, Brian Alegant

Submissions from 1999

Counting Treasures: The Enumeration and Analysis of Musical Collections, Brian Alegant


When Even Becomes Odd: A Partitional Approach to Inversion, Brian Alegant

Submissions from 1996

Unveiling Schoenberg's op. 33b, Brian Alegant

Submissions from 1991

A Model for the Pitch Structure of Webern's Op. 23 No. 1, "Das dunkle Herz", Brian Alegant

Submissions from 1988

The Even Partitions in Twelve-tone Music, Robert D. Morris and Brian Alegant