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Submissions from 2016

Dallapiccola's Second Thoughts: the Epilogue to the Concerto per la notte di Natale dell'anno 1956, Brian Alegant

Submissions from 2015

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Characteristic Tonality in the Balletti of Gastoldi, Morley, and Hassler, Megan Kaes Long

Submissions from 2014

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Review: The Art of Grafted Song: Citation and Allusion in the Age of Machaut, Jared C. Hartt

Submissions from 2008

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Listen up!: Thoughts on iPods, sonata form, and analysis without score, Brian Alegant

Submissions from 2007

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On the Nature of Structural Framing, Brian Alegant

Submissions from 2006

Octatonicism in Luigi Dallapiccola's Twelve-note Music, Brian Alegant and John Levey

Submissions from 2004

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Taking Stock of Collections: A Strategy for Teaching the Analysis of Post-tonal Music, Brian Alegant

Submissions from 2002

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Inside the cadenza of Schoenberg's piano concerto, Brian Alegant

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Having Your Cake and Eating It Too: The Property of "Reflection" in Twelve-tone Rows (or, further extensions on the Mallalieu Complex), Brian Alegant and Marcus Lofthouse

Submissions from 2001

Cross-partitions As Harmony and Voice Leading in Twelve-tone Music, Brian Alegant

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On the nature of enlargement, Brian Alegant

Submissions from 1999

Counting Treasures: The Enumeration and Analysis of Musical Collections, Brian Alegant

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When Even Becomes Odd: A Partitional Approach to Inversion, Brian Alegant

Submissions from 1996

Unveiling Schoenberg's op. 33b, Brian Alegant

Submissions from 1991

A Model for the Pitch Structure of Webern's Op. 23 No. 1, "Das dunkle Herz", Brian Alegant

Submissions from 1988

The Even Partitions in Twelve-tone Music, Robert D. Morris and Brian Alegant