Submissions from 2023

Tracing Women: Haitian and Black Cuban Women Archivists, Yveline Alexis

Ear Training, Elizabeth Lindsey Rogers


The Suspense Novel as Persuasion: Survivance and Subversion in Louise Erdrich’s The Round House, Cortney Smith

Submissions from 2022

Spaceship, Emily Barton


Somewhere Over the Rainbow: A Search for Transcendence & Annihilation in New Zealand's Hippie Paradise, Allegra Hyde

Submissions from 2017


Asian Americans During The Cold War, Richard Baldoz

Submissions from 2013

Statist Realism And Its Discontents: Another Optics for Shyam Benegal’s Ankur, Anuradha Needham

Submissions from 2012

Jean Anouilh's Antigone, Jed Deppman

Last Things: Oedipus at Colonus and the End of Tragedy, Thomas Van Nortwick

Submissions from 2010


English at Oberlin: 1880-1960, Robert Longsworth

Submissions from 2009

Don't Call the Post-Mod Squad: (Reflections on Mapplethorpe and the Law), Roger Copeland