Submissions from 2024
The Literary Labour of Ants: Refabulation, Digression, and Utopian Form in Daniel Sada’s Porque parece mentira la verdad nunca se sabe (1999), Sergio Gutiérrez Negrón
Submissions from 2023
Tracing Women: Haitian and Black Cuban Women Archivists, Yveline Alexis
Varda révolutionnaire, Grace An
Ear Training, Elizabeth Lindsey Rogers
The Suspense Novel as Persuasion: Survivance and Subversion in Louise Erdrich’s The Round House, Cortney Smith
Submissions from 2022
Spaceship, Emily Barton
Somewhere Over the Rainbow: A Search for Transcendence & Annihilation in New Zealand's Hippie Paradise, Allegra Hyde
Submissions from 2017
Asian Americans During The Cold War, Richard Baldoz
Submissions from 2013
Statist Realism And Its Discontents: Another Optics for Shyam Benegal’s Ankur, Anuradha Needham
Submissions from 2012
Jean Anouilh's Antigone, Jed Deppman
Last Things: Oedipus at Colonus and the End of Tragedy, Thomas Van Nortwick
Submissions from 2010
English at Oberlin: 1880-1960, Robert Longsworth
Submissions from 2009
Don't Call the Post-Mod Squad: (Reflections on Mapplethorpe and the Law), Roger Copeland
