Theses/Dissertations from 1987
The Commercialization of the Colloquial Voice: Raymond Carver and the Minimalist Aesthetic, Cara Diaconoff
The Function of Forest in The Faerie Queene: Seeing the Woods for the Trees, Nicholas Randell
Theses/Dissertations from 1986
"Are You Speaking?": A Speech Act Analysis of Pinter's A Kind of Alaska and No Man's Land, Brian M. Britt
Four Voices of Pound in Cantos I-XVII, Malcolm D. Childress
Visionary Excitability and George Eliot: Judeo-Mythic Narrative Technique in Daniel Deronda, Barbara Stufflebeem
Theses/Dissertations from 1985
History, Action and Identity in "Upon Appleton House": Andrew Marvell and the New Historicism, Theodore Chen
A New Topography: Elizabeth Bishop's Late Poems, Jennifer Soalt
Theses/Dissertations from 1984
Social Ethics in the Novels of Harriet Beecher Stowe, Alison A. Case
Progress, Process and the Critique of Development: The Interplay of Gender and Genre in The Morgesons, Janet E. Graber
Madeline Neroni and the Moral Design of Barchester Towers, Jennifer A. Low
A Raid on the Inarticulate: The Problem of Language in the Poetry of W.S. Merwin, Anthony G. Stocks
Real People Tell the Whole Story: Dialogue and Characterization in Malory's Morte Darthur, Anne Woehrle
Social Drama, Rites of Passage, and The Winter's Tale, Aaron Zitner
Theses/Dissertations from 1983
Mrs. Brook: Confidence Woman and Mother Usurper, Rebecca L. Berg
Products and Processes: Levels of Art in Pale Fire, Jon Hamilton
The Child is Mother of the Woman: Parenting and Self-Parenting in Emma and Middlemarch, Andrea E. Lehman
A Synthesis of Theme and Style: "Prelude" as a Turning Point in the Fiction of Katherine Mansfield, Peggy Orenstein
Nothing More Real Than Nothing: The Unnamable as Self-Annihilating Fiction, Shawn Rosenheim
Theses/Dissertations from 1982
Lord Jim and Under Western Eyes: Two Treatments of Guilt and Atonement, Francis Butler
Moving Beyond the Mask: The Progression of Women in Christina Rossetti's Poetry, Marianne Skoczek
Theses/Dissertations from 1981
Structures of Ritual Sacrifice in Abraham and Isaac and Afore Night Come, Misty Baumann
The Homecoming and The Cherry Orchard: Pinter's Inversion of Chekhov's Subtextual Method, Art Borreca
The Interweaving of Poetry and Dance in Ben Jonson's Masques, Ted Gradman
Theses/Dissertations from 1980
Three Homilies of Aelfric and Their Revisions by Wulfstan: A Structural Approach, Susan J. Haas
The Role of the Protagonist in "The Faerie Queene": A Study of the First Three Books, Gretchen Mertz
"Pianos in the Woods": Emily Dickinson's Imaginative Vision, Steven R. Schindler
Theses/Dissertations from 1979
Matter Made Even: As You Like It, Paul Nadler
Theses/Dissertations from 1977
Ibsen and Shaw: A Comparison, Katherine Waldbauer
Theses/Dissertations from 1975
Parody and Vision in the Designs of Blake's Jerusalem, Adrienne Atkinson
Playing for Real: The Experience of Drama at Medieval York, Christopher Baswell
Fresh Dreams to Deliver, Melissa Fay Greene
Called Back, Patricia Y. Ikeda
The Process of Vision: Lambert Strether and Henry James, Judy Karasik
The Dialectic of Tragedy in "Hamlet," "Macbeth," and "Othello", Andrew Kaufman
Theses/Dissertations from 1973
Mailer's American Dream, Charles D. Ettelson
Daniel Deronda: A Consideration of George Eliot's Concept of Culture, Candyce Golis
A Close Reading of Tennyson's Maud, Lucy Marks
Nature, Reason, and Eternity: Images of the Divine Vision in The Four Zoas, Cathy Shaw
Theses/Dissertations from 1972
Sherwood Anderson and the Art of American Autobiography, Linda S. Bergmann
The Group Theatre: A Reflection of the Theatre in the Thirties, Abby Eiferman Schor
Theses/Dissertations from 1970
The Embodying Image: A Design for a Computer-Aided Analysis of Distorted Body Imagery in Gulliver's Travels, Mary S. Erbaugh
To Maintain the Sublime: Art, Reality, and Society in the Work of Ezra Pound, Camilla Bunker Haase
Theses/Dissertations from 1960
The Utopianism of Gulliver's Travels, Patricia Eliet
Theses/Dissertations from 1953
Observations on Pope's Treatment of Nature in Pastorals, Fumiyo Kodani
Theses/Dissertations from 1952
George Macdonald and C.S. Lewis Master and Disciple, Paul Robert Dettman
Theses/Dissertations from 1951
Mark Twain's Techniques of Humor in Huckleberry Finn, William H. Knowlton
The Queste Del Saint Graal Malory Translated, Jennie Streeter Tucker
Theses/Dissertations from 1950
The Imagery in the Poetry of Gerard Manley Hopkins 1875-1889, Edward A. Sammel
Thackeray as a Critic of Dickens, Werner Schultz
Theses/Dissertations from 1949
The Study of Characterizations of Odysseus From Homer to the Present, Charles Taylor Miller
Theses/Dissertations from 1948
The Imagery of the Shakespeare Sonnets, Donald Edward Becker
Theses/Dissertations from 1945
Chaucer's Criseyde A Comparative Study in the Literary Evolution of a Character, Julia McGrew
An Investigation of Chaucer's Use of Sentence in the Trollus and Criseyde, Richard A. Wells
Theses/Dissertations from 1943
A Comparative Study of Coriolanus and its Source, Etta Soiref
Theses/Dissertations from 1941
The Heaven-ward Enterprise: The Development of Wordsworth's Attitude Toward Political and Social Problems, Frank Michael Krouse
Theses/Dissertations from 1940
Drayton's Use of English History, Lota Brandt
The Imagery of Robert Browning's The Ring and the Book, Rachel M. Hannon
Romanticizing the Germanic Epic, James Loughridge III
The Breakdown of Neo-Classicism, George K. Manlove
Theses/Dissertations from 1939
The Influence of Archbishop King's Origin of Evil on Pope's "Essay on Man", Elizabeth Jean Hufford
Robert Browning and Edwin Arlington Robinson: A Comparison, Laurence Perrine
Nathaniel Hawthorne: The Study of an Elusive Artist, Roger Wright Moore
Theses/Dissertations from 1938
A Theory of the Novel From a Study of Jane Austen and George Eliot, Henrietta Dewitt Bulleit
Thomas Rymer, Elizabeth V.N. Hammond
Theses/Dissertations from 1936
A Comparative Study of English and Chinese Proverbs, Richard G. Irwin
English Literary Criticism in the Seventeenth Century, Rosamond McPherson
Theses/Dissertations from 1935
The Influence of George Herbert on Henry Vaughan, Mary C. Rogers
Evelina, Henry Sams
Theses/Dissertations from 1934
Evelina, Elizabeth Louise Barrick
Theses/Dissertations from 1931
The Comedies of John Dryden 1631-1700, Harlan M. Hungerford
The Rise of Sentimentalism in English Drama 1690-1700, George W. Jacobs
A Comparative Study of Some Modern Versions of the Tristan Legend, Harriet E. Pearson
Theses/Dissertations from 1930
The Comic Elements in Jane Austen's Works, Thomas Chuan Chen
