Theses/Dissertations from 1986
Four Voices of Pound in Cantos I-XVII, Malcolm D. Childress
Visionary Excitability and George Eliot: Judeo-Mythic Narrative Technique in Daniel Deronda, Barbara Stufflebeem
Theses/Dissertations from 1985
History, Action and Identity in "Upon Appleton House": Andrew Marvell and the New Historicism, Theodore Chen
A New Topography: Elizabeth Bishop's Late Poems, Jennifer Soalt
Theses/Dissertations from 1984
Social Ethics in the Novels of Harriet Beecher Stowe, Alison A. Case
Progress, Process and the Critique of Development: The Interplay of Gender and Genre in The Morgesons, Janet E. Graber
Madeline Neroni and the Moral Design of Barchester Towers, Jennifer A. Low
A Raid on the Inarticulate: The Problem of Language in the Poetry of W.S. Merwin, Anthony G. Stocks
Real People Tell the Whole Story: Dialogue and Characterization in Malory's Morte Darthur, Anne Woehrle
Social Drama, Rites of Passage, and The Winter's Tale, Aaron Zitner
Theses/Dissertations from 1983
Mrs. Brook: Confidence Woman and Mother Usurper, Rebecca L. Berg
Products and Processes: Levels of Art in Pale Fire, Jon Hamilton
The Child is Mother of the Woman: Parenting and Self-Parenting in Emma and Middlemarch, Andrea E. Lehman
A Synthesis of Theme and Style: "Prelude" as a Turning Point in the Fiction of Katherine Mansfield, Peggy Orenstein
Nothing More Real Than Nothing: The Unnamable as Self-Annihilating Fiction, Shawn Rosenheim
Theses/Dissertations from 1982
Lord Jim and Under Western Eyes: Two Treatments of Guilt and Atonement, Francis Butler
Moving Beyond the Mask: The Progression of Women in Christina Rossetti's Poetry, Marianne Skoczek
Theses/Dissertations from 1981
Structures of Ritual Sacrifice in Abraham and Isaac and Afore Night Come, Misty Baumann
The Homecoming and The Cherry Orchard: Pinter's Inversion of Chekhov's Subtextual Method, Art Borreca
The Interweaving of Poetry and Dance in Ben Jonson's Masques, Ted Gradman
Theses/Dissertations from 1980
Three Homilies of Aelfric and Their Revisions by Wulfstan: A Structural Approach, Susan J. Haas
The Role of the Protagonist in "The Faerie Queene": A Study of the First Three Books, Gretchen Mertz
"Pianos in the Woods": Emily Dickinson's Imaginative Vision, Steven R. Schindler
Theses/Dissertations from 1979
Matter Made Even: As You Like It, Paul Nadler
Theses/Dissertations from 1977
Ibsen and Shaw: A Comparison, Katherine Waldbauer
Theses/Dissertations from 1975
Parody and Vision in the Designs of Blake's Jerusalem, Adrienne Atkinson
Playing for Real: The Experience of Drama at Medieval York, Christopher Baswell
Fresh Dreams to Deliver, Melissa Fay Greene
Called Back, Patricia Y. Ikeda
The Process of Vision: Lambert Strether and Henry James, Judy Karasik
The Dialectic of Tragedy in "Hamlet," "Macbeth," and "Othello", Andrew Kaufman
Theses/Dissertations from 1973
Mailer's American Dream, Charles D. Ettelson
Daniel Deronda: A Consideration of George Eliot's Concept of Culture, Candyce Golis
A Close Reading of Tennyson's Maud, Lucy Marks
Nature, Reason, and Eternity: Images of the Divine Vision in The Four Zoas, Cathy Shaw
Theses/Dissertations from 1972
Sherwood Anderson and the Art of American Autobiography, Linda S. Bergmann
The Group Theatre: A Reflection of the Theatre in the Thirties, Abby Eiferman Schor
Theses/Dissertations from 1970
The Embodying Image: A Design for a Computer-Aided Analysis of Distorted Body Imagery in Gulliver's Travels, Mary S. Erbaugh
To Maintain the Sublime: Art, Reality, and Society in the Work of Ezra Pound, Camilla Bunker Haase
Theses/Dissertations from 1930
The Comic Elements in Jane Austen's Works, Thomas Chuan Chen
