Submissions from 2022
"Beyond Beyond": Cymbeline, the Camera Obscura, and the Ontology of Elsewhere, Wendy Beth Hyman
Patterns, the Shakespearean Sonnet, and Epistemologies of Scale, Wendy Beth Hyman
Review: Finding Ferrante: Authorship and the Politics of World Literature, Stiliana Milkova
Submissions from 2021
Elena Ferrante in a Global Context (Modern Language Notes, Italian Issue), Tiziana de Rogatis, Stiliana Milkova, and Katrin Wehling-Giorgi
Introduction: Friendship and Scholarship, Tiziana de Rogatis, Stiliana Milkova, and Katrin Wehling-Giorgi
Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now, Hillary Eklund and Wendy Beth Hyman
Beyond Postmoderism: Mirrors, Mise en Abîmes, and Labyrinths in Elena Ferrante's Works, Stiliana Milkova
Mapping Turin's Urban Topography in Elena Ferrante's The Days of Abandonment, Stiliana Milkova
Reading Elena Ferrante in Bulgaria(n), Stiliana Milkova
Side by Side: Female Collaboration in Ferrante’s Fiction and Ferrante Studies, Stiliana Milkova
The Visual Politics of R. Crumb's Bulgaria: A Sketchbook Report, Stiliana Milkova
Review: Sea Monsters, Claire Solomon
Yehuda Amichai, the Unlikely National Poet, Sheera Talpaz
Submissions from 2020
Broadcast from Home, Lisa Bielawa and Claire Solomon
Dispatches: Mythologies, Stiliana Milkova
Elena Ferrante’s The Lying Life of Adults (special issue), Stiliana Milkova
Ferrante Breaks the Frame, Stiliana Milkova
Margherita, Stiliana Milkova
Mediterranean Crossings: Nadia Terranova’s "Farewell, Ghosts", Stiliana Milkova
Non solo Napoli: Torino e il senso delle città nel ciclo de «L’Amica Geniale» e oltre, Stiliana Milkova
On a Change of Location in Season 2 of My Brilliant Friend, Stiliana Milkova
Review: "Mediterranean Crossings": Farewell, Ghosts, Stiliana Milkova
Translation is a Performance of Language: An Interview with Translator and Poet Will Schutt, Stiliana Milkova
Translators and Their Ghosts: Iginio Ugo Tarchetti’s "Fantastic Tales", Stiliana Milkova
Editors’ Introduction: Special issue on Elena Ferrante, Stiliana Milkova and Barbara Halla
Review: "In Love, At War, With Home: Theodor Kallifatides' 'The Siege of Troy'", Kirk Ormand
Storytelling Philosophy and Self Writing—Preliminary Notes on Elena Ferrante: An Interview with Adriana Cavarero, Isabella Pinto, Stiliana Milkova, and Adriana Cavarero
Jorge Luis Borges, "The Secret Miracle": A Great Jewish Books Teacher Workshop Resource Kit, Claire Solomon
Review: "Anna Karenina, Recomposed": The Book of Anna, Claire Solomon
Review: "On the Scale of Conflict, Its Crimes and Traumas": Minor Detail, Sheera Talpaz
Submissions from 2019
Seeing the Invisble Under the Microscope: Natural Philosophy and John Donne's Flea, Wendy Beth Hyman
Impossible Desire and the Limits of Knowledge in Renaissance Poetry, Wendy Beth Hyman
At Obrycki's, Stiliana Milkova
Review: "Framing By Fragmentation": Incidental Inventions, Stiliana Milkova
Review: "Grappling with God’s Language": I Am God, Stiliana Milkova
Review: Indigo, Stiliana Milkova
The Boodman Syndrome, Stiliana Milkova
Review: Baroni: A Journey, Claire Solomon
Submissions from 2018
Inquisition, Kazim Ali
Silver Road: Essays, Maps, and Calligraphies, Kazim Ali
Poems by Emily Dickinson (Chinese translation), Jed Deppman
Review: The Poetics of Scientific Investigation in Seventeenth-Century England, Wendy Beth Hyman
An Ordinary Evening, Stiliana Milkova
Review: Crossing Over and Beyond: Distant Light, Stiliana Milkova
Review: Nel nome della madre. Ripensare la figura della maternità, Stiliana Milkova
Review: Teksty-kartiny i ekfrazisy v romane Dostoevskogo “Idiot" (Texts-paintings and Ekphrasis in Dostoevskii's Novel "Idiot"), Stiliana Milkova
Spazio liminale, labirinto urbano e citta femminile ne L'amica geniale, Stiliana Milkova
That's Enough, Paolo (Basta Paolo), Stiliana Milkova
Controlling Desires: Sexuality in Ancient Greece and Rome, Kirk Ormand
A-1, Claire Solomon
El fabricante de fantasmas (The Manufacturer of Ghosts), Claire Solomon
Los significados de Manu: Estilo, raza y globalizatión en la cultura del básquetbol, Claire Solomon
Machine Translations and Translation Machines in Roberto Arlt's Los siete locos (1929) and Los lanzallamas (1931), Claire Solomon
Submissions from 2017
Checkpoint, Kazim Ali
Mad Heart Be Brave: Essays on the Poetry of Agha Shahid Ali, Kazim Ali
Flames, Stiliana Milkova
Saturday, Stiliana Milkova
Mapping the Megalopolis: Order and Disorder in Mexico City, Patrick O'Connor
Anarcho-Feminist Melodrama and the Manic Pixie Dream Girl, Claire Solomon
Submissions from 2016
Abahn Sabana David, Kazim Ali
Love’s Fool: On the Poetry of Hoshang Merchant, Kazim Ali
Missal; May; Zephyr, Kazim Ali
Morning Raga, Kazim Ali
Phenomenal Survivals of Death in the Mountains, Kazim Ali
Review: "The World We Together": The Falling Down Dance, Kazim Ali
Sapphic I am: A Rapture, Kazim Ali
The Astronomer’s Son, Kazim Ali
The Malady of Life, Kazim Ali
Uncle Sharif's Life in Music, Kazim Ali
Artistic Tradition and Feminine Legacy in Elena Ferrante’s L’amore molesto, Stiliana Milkova
A Window into the Unknown, Stiliana Milkova
Ekphrasis and the frame: on paintings in Gogol, Tolstoy, and Dostoevsky, Stiliana Milkova
Elena Ferrante’s Visual Poetics: Ekphrasis in Troubling Love, My Brilliant Friend, and The Story of a New Name, Stiliana Milkova
The Translator’s Visibility or the Ferrante-Goldstein Phenomenon, Stiliana Milkova
Translation as a Practice of Acceptance, Stiliana Milkova and Rebecca Falkoff
Review: Late Book Culture in Argentina, Patrick O'Connor
Submissions from 2015
Resident Alien: On Border-crossing and the Undocumented Divine, Kazim Ali
The Killer Will Remain Free: On Pat Parker and the Poetics of Madness, Kazim Ali
What's American About American Poetry, Kazim Ali
From Rome to Paris to Rome: Reversing the Grand Tour in Gogol’s "Rome", Stiliana Milkova
A practical daughter: Cristina Peri Rossi reads Felisberto Hernandez, Patrick O'Connor
Review: Modern Argentine Masculinities, Patrick O'Connor
Among Empires: Marius Petipa’s Responses to Late Nineteenth-Century Russian Nationalisms, Tim Scholl
From Moscow and Back: Creating and Assessing the “National” Ballets of Caucasia in the 1930s, Tim Scholl
Student Interactions, Race, and the Media: The Oberlin College Choir 1964 of the USSR and Romania, Tim Scholl
In the Wrong Place at the Wrong Time: Roberto Arlt’s El fabricante de fantasmas as Minoritarian Cultural Production in 1930s America, Claire Solomon
Submissions from 2014
Acts of Faith, Kazim Ali
Advice Column, Kazim Ali
Bird Hospital, Kazim Ali
Chopping the Birch, Kazim Ali
Dear Joshua, Kazim Ali
How to Spend All One’s Blue; Son of History, Kazim Ali
Letter to Zephyr the West Wind from the Boy Hyacinth, Kazim Ali
Messy Drunk; Sent Mail, Kazim Ali
Mosaic (His Prayer), Kazim Ali
On the Poetry of Lal Ded, Kazim Ali
September 14, Kazim Ali
September; Hello My Name Is _______, Kazim Ali
Sky Ward; Square; Centralia, Kazim Ali
The Dress-Maker of Galilee, Kazim Ali
