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Submissions from 2017

Crossing Listening Thresholds, Julia Christensen

The First 100+ Days, Julia Christensen

Bodies in Motion, Kristina Paabus

Estonian Nature – Black and White, Kristina Paabus

Spaces to Spaces, Kristina Paabus

Until, Kristina Paabus

Compact(ed), Kristina Paabus and Max Seinfeld

(forthcoming), Nanette Yannuzzi

Frack-Age, Nanette Yannuzzi

The First 100+ Days, Nanette Yannuzzi

Submissions from 2016

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Before Protesting at the Republican National Convention, Learn to Protect Your Phone, Julia Christensen

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During the RNC, Two Art Projects Amplify the Voices of Ohio’s Citizens, Julia Christensen

Expertise, Artifacts, and Time in the 1534 Inventory of the St-Denis Treasury, Erik Inglis

Demonstrating Ingenuity: The Display and Concealment of Knowledge in Renaissance Artists' Workshops, Christina Neilson

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A Picture of Health: Art and the Mechanism of Healing, Christina Neilson and Frances Gage

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AnOther Expedition: Monet's Garden, Pipo Nguyen-duy

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A Picture of Health: Art and the Mechanics of Healing, Pipo Nguyen-duy

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Everything’s Coming Up Roses!, Pipo Nguyen-duy

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Talking Photography – 100 Pictures That Tell a Story, Pipo Nguyen-duy

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"Where do we come from and where we are going?”, Pipo Nguyen-duy

Review: Jean-Michel Basquiat: Now's the Time, Matthew Rarey

Introduction to Shared Spaces and Knowledge Transactions in the Italian Renaissance City (special issue of I Tatti Studies), Cossar Roison, Vivo Filippo, and Christina Neilson

Submissions from 2015

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Upgrade Available, Julia Christensen

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David Smith in Two Dimensions: Photography and the Matter of Sculpture, Sarah Hamill

Remembering and Forgetting Suger at Saint-Denis, 1151-1534: An abbot’s reputation between memory and history, Erik Inglis

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Archaeology and Cultural Heritage in Post-Revolution Libya, Susan Kane

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Review: The Archaeology of Fazzān. Volume 4, Survey and Excavations at Old Jarma (ancient Garama) Carried Out by C.M. Daniels (1962–69) and the Fazzān Project (1997–2001), Susan Kane

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Sangro Valley Project: Report on the 2014 Excavations at Acquachiara and San Giovanni Di Tornareccio (Provincia di Chieti, Regione Abruzzo), Susan Kane and Alexis Christensen

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NEO Geo exhibition, Kristina Paabus

Counterwitnessing the Visual Culture of Brazilian Slavery, Matthew Rarey

Submissions from 2014

Big Box Reuse, Julia Christensen

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Burnouts, Julia Christensen

Burnouts (21C Museum Hotel), Julia Christensen

Burnouts (Center for Ongoing Research and Projects), Julia Christensen

The Chuck Close Tapes, Julia Christensen

Underground No More: a symposium of the Underground Railroad (featured speaker), Johnny Coleman

Picturing Autonomy: David Smith’s Photography and the Sculptural Group, Sarah Hamill

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Review: "The Sculptural Object circa 1960": Eccentric Objects: Rethinking Sculpture in 1960s America; Robert Morris: Object Scupture, 1960-1965, Sarah Hamill

Interview: SOM Journal, John Harwood

Review: Bleak Houses: Disappointment and Failure in Architecture, John Harwood

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Review: Little White Houses: How the Postwar House Constructed Race in America, John Harwood

Review: Phantasmal Media: An Approach to Imagination, Computation, and Expression, John Harwood

The Corporation as Concept, John Harwood

The Other End of the Trajectory: Danger Zones, John Harwood

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Wires, Walls and Wireless: Notes Toward an Investigation of the Radio Architecture, John Harwood

Art as Evidence in Medieval Relic Disputes: Three Cases from Fifteenth-Century France, Erik Inglis

Review: Opening up Middle English manuscripts: literary and visual approaches, Erik Inglis

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Sangro Valley Project Report on the 2013 Excavations at San Giovanni Di Tornareccio (Comune Di Tornareccio, Provincia Di Chieti, Regione Abruzzo), Susan Kane and Alexis Christensen

Andrea del Verrocchio, Measured Drawing of a Horse Facing Left, 1481-88, Christina Neilson

Andrea del Verrocchio, Study for a Funerary Monument to Doge Andrea Vendramin, 1487-88, Christina Neilson

Carving Life: The Meaning of Wood in Renaissance Sculpture, Christina Neilson

Descent, Sarah Schuster

Book Ends, Nanette Yannuzzi

The Saga of R. Perry and the Pyura Chilensis, Nanette Yannuzzi

Unruly Engagements: On the Social Turn in Contemporary Art and Design, Nanette Yannuzzi

The White Dress, Nanette Yannuzzi, Nyima Coleman, and John Seyfried

Home Affairs, Nanette Yannuzzi and Arzu Ozkal

Submissions from 2013

Corporate Abstraction, John Harwood

How Useful? The Stakes of Architectural History, Theory and Criticism at MIT, 1945-1976, John Harwood

The Rational, International Occult: Konrad Wachsmann and the Experimental Digitization of Architecture, John Harwood

Review: Illuminated Crusader Histories for Philip the Good of Burgundy, Erik Inglis

Review: Luxury Bound: Illustrated Manuscript Production and Noble and Princely Book Ownership in the Burgundian Netherlands (1400-1550), Erik Inglis

’The Worthless Stories of Pilgrims’? The Art Historical Imagination of Fifteenth-Century Travelers to Jerusalem, Erik Inglis and Elise Christmon

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Lessons Learned from Libya, Susan Kane

enact, Nanette Yannuzzi

The Saga of R. Perry and the Pyura Chilensis, Nanette Yannuzzi

Submissions from 2012

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Review: Translating Truth: Ambitious Images and Religious Knowledge in Late Medieval France and England, Erik Inglis

Submissions from 2011

Surplus Rising, Julia Christensen

An Open Letter To My Children (in conjunction w/ Millennium SCULPTURE), Johnny Coleman

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Full Circle, Mirror Image, Johnny Coleman

Hyperlocal Identities: Cross-Disciplinary Productions, Johnny Coleman

The Immortal Life of Henrietta Lacks: African American Artists Respond, Johnny Coleman

David Smith: Works. Writings. Interviews, Sarah Hamill

Polychrome in the Sixties: David Smith and Anthony Caro at Bennington, Sarah Hamill

‘What Sculpture Can Never Be’: David Smith’s Photography, Sarah Hamill

The Interface: IBM and the Transformation of Corporate Deisgn, 1945-1976, John Harwood

Delicious Field, Pipo Nguyen-duy

Images from the Dancing Bear Collection, Pipo Nguyen-duy

Imagined Earth, Pipo Nguyen-duy

4 Large WALL PIECES, John Pearson

Drawings, Constructions, John Pearson

Drawings, Prints, Constructions, John Pearson

Farmed: Argonomy and Agriculture, Nanette Yannuzzi

How to Explain a Contemporary Art Audience to a Robotic Hare, Nanette Yannuzzi

Monster Drawing Rally, Nanette Yannuzzi

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Turkish Activist Ecoart Report on the Relief Valve/Subap Exhibit, Nanette Yannuzzi

Video Night; Itaca #3; Station923, Nanette Yannuzzi

Submissions from 2010

Surplus Rising: Julia Christensen, Julia Christensen

Your Town Inc.: Julia Christensen, Julia Christensen

…in a most dangerous manner, Julia Christensen, Steven Lam, and Sarah Ross

The Unsung Torsos: An Opera in Thirteen Parts, Julia Christensen and Sarah Paul

Original Ancestors: For Bettye and Wendell, Johnny Coleman

The Best Location: Still Searching, Johnny Coleman, Dianne McIntyre, and Bernard Matambo

Review: "Specific Objects": The Disappearance of Objects: New York Art and the Rise of the Postmodern City, Sarah Hamill

Review: KAYWA and Kooaba Digital Encryption Technologies, John Harwood

Skylab; or The Outpost, John Harwood

Ascending Dragon: Contemporary Vietnamese American Arts, Pipo Nguyen-duy

Backyard, Pipo Nguyen-duy

Deep Space, Pipo Nguyen-duy

East of Eden: Vietnam, Pipo Nguyen-duy