Submissions from 2021
19th Asian Art Biennale Bangladesh 2020, Sarah Schuster
Submissions from 2020
Upgrade Available (book), Julia Christensen
Upgrade Available (solo exhibition), Julia Christensen
In Celebration of Toni Morrison: A Gesture of Love and Reflection, Johnny Coleman
PrintAustin: The Contemporary Print 2020, Kristina Paabus
Something to Believe In, Kristina Paabus
2nd Dafen International Oil Painting Biennale (Shenzhen), Sarah Schuster
Art Made During the Shut-Down, Sarah Schuster
National Juried Show, Sarah Schuster
Submissions from 2017
Crossing Listening Thresholds, Julia Christensen
The First 100+ Days, Julia Christensen
Bodies in Motion, Kristina Paabus
Estonian Nature – Black and White, Kristina Paabus
Spaces to Spaces, Kristina Paabus
Until, Kristina Paabus
Compact(ed), Kristina Paabus and Max Seinfeld
*ArtSit, The Letdown Reflex, Nanette Yannuzzi
Frack-Age, Nanette Yannuzzi
The First 100+ Days, Nanette Yannuzzi
Submissions from 2016
Before Protesting at the Republican National Convention, Learn to Protect Your Phone, Julia Christensen
During the RNC, Two Art Projects Amplify the Voices of Ohio’s Citizens, Julia Christensen
Expertise, Artifacts, and Time in the 1534 Inventory of the St-Denis Treasury, Erik Inglis
Demonstrating Ingenuity: The Display and Concealment of Knowledge in Renaissance Artists' Workshops, Christina Neilson
A Picture of Health: Art and the Mechanism of Healing, Christina Neilson and Frances Gage
AnOther Expedition: Monet's Garden, Pipo Nguyen-duy
A Picture of Health: Art and the Mechanics of Healing, Pipo Nguyen-duy
Everything’s Coming Up Roses!, Pipo Nguyen-duy
Talking Photography – 100 Pictures That Tell a Story, Pipo Nguyen-duy
"Where do we come from and where we are going?”, Pipo Nguyen-duy
Review: Jean-Michel Basquiat: Now's the Time, Matthew Rarey
Introduction to Shared Spaces and Knowledge Transactions in the Italian Renaissance City (special issue of I Tatti Studies), Cossar Roison, Vivo Filippo, and Christina Neilson
Submissions from 2015
Upgrade Available, Julia Christensen
David Smith in Two Dimensions: Photography and the Matter of Sculpture, Sarah Hamill
Remembering and Forgetting Suger at Saint-Denis, 1151-1534: An abbot’s reputation between memory and history, Erik Inglis
Archaeology and Cultural Heritage in Post-Revolution Libya, Susan Kane
Sangro Valley Project: Report on the 2014 Excavations at Acquachiara and San Giovanni Di Tornareccio (Provincia di Chieti, Regione Abruzzo), Susan Kane and Alexis Christensen
NEO Geo, Kristina Paabus
Counterwitnessing the Visual Culture of Brazilian Slavery, Matthew Rarey
Submissions from 2014
Big Box Reuse, Julia Christensen
Burnouts, Julia Christensen
Burnouts (21C Museum Hotel), Julia Christensen
Burnouts (Center for Ongoing Research and Projects), Julia Christensen
The Chuck Close Tapes, Julia Christensen
Underground No More: a symposium of the Underground Railroad (featured speaker), Johnny Coleman
Picturing Autonomy: David Smith’s Photography and the Sculptural Group, Sarah Hamill
Interview: SOM Journal, John Harwood
Review: Bleak Houses: Disappointment and Failure in Architecture, John Harwood
Review: Little White Houses: How the Postwar House Constructed Race in America, John Harwood
Review: Phantasmal Media: An Approach to Imagination, Computation, and Expression, John Harwood
The Corporation as Concept, John Harwood
The Other End of the Trajectory: Danger Zones, John Harwood
Wires, Walls and Wireless: Notes Toward an Investigation of the Radio Architecture, John Harwood
Art as Evidence in Medieval Relic Disputes: Three Cases from Fifteenth-Century France, Erik Inglis
Review: Opening up Middle English manuscripts: literary and visual approaches, Erik Inglis
Sangro Valley Project Report on the 2013 Excavations at San Giovanni Di Tornareccio (Comune Di Tornareccio, Provincia Di Chieti, Regione Abruzzo), Susan Kane and Alexis Christensen
Andrea del Verrocchio, Measured Drawing of a Horse Facing Left, 1481-88, Christina Neilson
Andrea del Verrocchio, Study for a Funerary Monument to Doge Andrea Vendramin, 1487-88, Christina Neilson
Carving Life: The Meaning of Wood in Renaissance Sculpture, Christina Neilson
Intuitive Structures, John Pearson
Descent, Sarah Schuster
Book Ends, Nanette Yannuzzi
The Saga of R. Perry and the Pyura Chilensis, Nanette Yannuzzi
Unruly Engagements: On the Social Turn in Contemporary Art and Design, Nanette Yannuzzi
The White Dress, Nanette Yannuzzi, Nyima Coleman, and John Seyfried
Home Affairs, Nanette Yannuzzi and Arzu Ozkal
Submissions from 2013
Corporate Abstraction, John Harwood
How Useful? The Stakes of Architectural History, Theory and Criticism at MIT, 1945-1976, John Harwood
The Rational, International Occult: Konrad Wachsmann and the Experimental Digitization of Architecture, John Harwood
Review: Illuminated Crusader Histories for Philip the Good of Burgundy, Erik Inglis
’The Worthless Stories of Pilgrims’? The Art Historical Imagination of Fifteenth-Century Travelers to Jerusalem, Erik Inglis and Elise Christmon
Lessons Learned from Libya, Susan Kane
enact, Nanette Yannuzzi
The Saga of R. Perry and the Pyura Chilensis, Nanette Yannuzzi
Submissions from 2012
Review: Translating Truth: Ambitious Images and Religious Knowledge in Late Medieval France and England, Erik Inglis
Submissions from 2011
Surplus Rising, Julia Christensen
An Open Letter To My Children, Johnny Coleman
Hyperlocal Identities: Cross-Disciplinary Productions, Johnny Coleman
The Immortal Life of Henrietta Lacks: African American Artists Respond, Johnny Coleman
Full Circle, Mirror Image, Johnny Coleman and Maurice Small
David Smith: Works. Writings. Interviews, Sarah Hamill
Polychrome in the Sixties: David Smith and Anthony Caro at Bennington, Sarah Hamill
‘What Sculpture Can Never Be’: David Smith’s Photography, Sarah Hamill
The Interface: IBM and the Transformation of Corporate Deisgn, 1945-1976, John Harwood
Delicious Field: Ohio Photographers at Work, Pipo Nguyen-duy
Images from the Dancing Bear Collection, Pipo Nguyen-duy
Imagined Earth, Pipo Nguyen-duy
4 Large Wall Pieces, John Pearson
Drawings, Constructions, John Pearson
Drawings, Prints, Constructions, John Pearson
Farmed: Argonomy and Agriculture, Nanette Yannuzzi
How to Explain a Contemporary Art Audience to a Robotic Hare, Nanette Yannuzzi
Monster Drawing Rally, Nanette Yannuzzi
Turkish Activist Ecoart Report on the Relief Valve/Subap Exhibit, Nanette Yannuzzi
Video Night; Itaca #3; Station923, Nanette Yannuzzi
Submissions from 2010
Surplus Rising, Julia Christensen
The Futures Cycle, Julia Christensen
Your Town, Inc., Julia Christensen
