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Submissions from 2019

Review: Les Pecheurs de perles, Andrew Pau

Submissions from 2018

A Critical Companion to Medieval Motets, Jared Hartt

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Review: Art Rethought: The Social Practices of Art, Bryan J. Parkhurst

Music and the Armed Services Edition, Steven Plank

Submissions from 2017

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Review: Stunning Males and Powerful Females: Gender and Tradition in East Javanese Dance, Jennifer Fraser

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Of Programs and Prima Donnas: Investigating British Music with the Musical Festivals Database, Charles Edward McGuire

Submissions from 2016

Dallapiccola's Second Thoughts: the Epilogue to the Concerto per la notte di Natale dell'anno 1956, Brian Alegant

Submissions from 2015

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Gongs & Pop Songs: Sounding Minangkabau in Indonesia, Jennifer Fraser

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Review: Musical Journeys in Sumatra, Jennifer Fraser

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Characteristic Tonality in the Balletti of Gastoldi, Morley, and Hassler, Megan Kaes Long

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Review: British Music and Literary Context: Artistic Connections in the Long Nineteenth Century, Charles Edward McGuire

Submissions from 2014

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Review: Performance, Popular Culture, and Piety in Muslim Southeast Asia, Jennifer Fraser

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Review: The Art of Grafted Song: Citation and Allusion in the Age of Machaut, Jared C. Hartt

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John Bull, Angelica Catalani and Middle-Class Taste at the 1820s British Musical Festival, Charles Edward McGuire

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Oklahoma!, “Lousy Publicity,” and the Politics of Formal Integration in the American Musical Theater, James O'Leary

Submissions from 2013

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Review: Divine Inspirations: Music and Islam in Indonesia, Jennifer Fraser

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The Art of Grieving: West Sumatra's Worst Earthquake in Music Videos, Jennifer Fraser

Submissions from 2012

The Caldwell Collection of Viols: A Life Together in Pursuit of Beauty, Catharina Meints

Career of Dave Brubeck, Jeremy A. Smith

Submissions from 2011

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Pop Song As Custom: Weddings, Ethnicity, And Entrepreneurs In West Sumatra, Jennifer Fraser

Submissions from 2010

Review: Mendelssohn And Victorian England, Charles Edward McGuire

Review: Film Music: A History, Colin Roust

Submissions from 2008

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Listen up!: Thoughts on iPods, sonata form, and analysis without score, Brian Alegant

Submissions from 2007

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On the Nature of Structural Framing, Brian Alegant

Submissions from 2006

Octatonicism in Luigi Dallapiccola's Twelve-note Music, Brian Alegant and John Levey

Submissions from 2005

So, Why Sol-Mi?, Peggy D. Bennett

Submissions from 2004

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Taking Stock of Collections: A Strategy for Teaching the Analysis of Post-tonal Music, Brian Alegant

Submissions from 2003

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Review: Six degrees of tonality and Beethoven in the temperament: Historical tunings on the modern concert grand, David Breitman

Submissions from 2002

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Inside the cadenza of Schoenberg's piano concerto, Brian Alegant

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Having Your Cake and Eating It Too: The Property of "Reflection" in Twelve-tone Rows (or, further extensions on the Mallalieu Complex), Brian Alegant and Marcus Lofthouse

Karl Gehrkens: Ohio Son, Music Education Pioneer, Comprehensive Musician, Peggy D. Bennett

Submissions from 2001

Cross-partitions As Harmony and Voice Leading in Twelve-tone Music, Brian Alegant

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On the nature of enlargement, Brian Alegant

Submissions from 2000

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Introduction and synoptic map, Roderic Knight

The bana, epic fiddle of Central India, Roderic Knight

Submissions from 1999

Counting Treasures: The Enumeration and Analysis of Musical Collections, Brian Alegant

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When Even Becomes Odd: A Partitional Approach to Inversion, Brian Alegant

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Metaphorically teaching: The use of metaphors in preparing teachers, Peggy D. Bennett

Submissions from 1996

Unveiling Schoenberg's op. 33b, Brian Alegant

Submissions from 1992

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Back to School with Twelve Resolutions, Peggy D. Bennett

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On Preparing Classroom Teachers to Teach Music: Rethinking Expectations, Peggy D. Bennett

Submissions from 1991

A Model for the Pitch Structure of Webern's Op. 23 No. 1, "Das dunkle Herz", Brian Alegant

Children's Pattern Perception, Accuracy, and Preference in Three Response Modes, Peggy D. Bennett

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Music Out of Africa: Mande Jaliya in Paris, Roderic Knight

Submissions from 1988

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The Perils and Profits of Praise, Peggy D. Bennett

The Even Partitions in Twelve-tone Music, Robert D. Morris and Brian Alegant

Submissions from 1987

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From Hungary to America: The evolution of education through music, Peggy D. Bennett

Submissions from 1986

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A responsibility to young voices, Peggy D. Bennett

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When "method" becomes authority, Peggy D. Bennett

Submissions from 1985

The harp in India today, Roderic Knight

Submissions from 1984

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Tricks, masks and camouflage: Is imitation passing for music reading?, Peggy D. Bennett

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The Style of Mandinka Music: A Study in Extracting Theory From Practice, Roderic Knight

Submissions from 1982

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Manding/Fula relations: As reflected in the Manding song repertoire, Roderic Knight

Submissions from 1979

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Review: The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe, Roderic Knight

Submissions from 1977

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Review: African Art in Motion: An Overview of African Dance Videotapes, Roderic Knight

Submissions from 1976

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Review: The Griots: Ministers of the Spoken Word, Roderic Knight

Submissions from 1975

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The Jali, Professional Musician of West Africa, Roderic Knight

Submissions from 1974

Mandinka drumming, Roderic Knight

Submissions from 1972

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Towards a notation and tablature for the kora and its application to other instruments (revised), Roderic Knight

Submissions from 1971

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Towards a notation and tablature for the kora and its application to other instruments, Roderic Knight