Submissions from 2022

Symposium on Beethoven's Pianos, David Breitman

This Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance, James O'Leary

Submissions from 2021

The Oxford Handbook of Critical Concepts in Music Theory, Antares Boyle, Rebecca Leydon, Paul Sherrill, and Jeffrey Swinkin

Piano-Playing Revisted: What Modern Players Can Learn from Period Instruments, David Breitman

"Natural" Disasters, Cultural Framings, and Resilience in Indonesia: Transdisciplinary Engagements in an Immersion Program, Jennifer Fraser and Karla Hubbard

Dance as Music in George Balanchine's Concerto Barocco, Kara Yoo Leaman

Musical Techniques in Balanchine's Jazzy Bach Ballet, Kara Yoo Leaman

Submissions from 2020

Hearing Homophony: Tonal Expectation at the Turn of the Seventeenth Century, Megan Kaes Long

What Do Signatures Signify?: The Curious Case of Seventeenth-Century English Key, Megan Kaes Long

Pitch, Tone, and Note, Bryan J. Parkhurst

Review: Composing Capital: Classical Music in the Neoliberal Era, Bryan J. Parkhurst

Submissions from 2019

Review: Les Pecheurs de perles, Andrew Pau

Submissions from 2018

A Critical Companion to Medieval Motets, Jared Hartt


Review: Art Rethought: The Social Practices of Art, Bryan J. Parkhurst

Music and the Armed Services Edition, Steven Plank

Submissions from 2017


Review: Stunning Males and Powerful Females: Gender and Tradition in East Javanese Dance, Jennifer Fraser


Of Programs and Prima Donnas: Investigating British Music with the Musical Festivals Database, Charles Edward McGuire

Submissions from 2016

Dallapiccola's Second Thoughts: the Epilogue to the Concerto per la notte di Natale dell'anno 1956, Brian Alegant

Submissions from 2015

Gongs & Pop Songs: Sounding Minangkabau in Indonesia, Jennifer Fraser


Review: Musical Journeys in Sumatra, Jennifer Fraser


Characteristic Tonality in the Balletti of Gastoldi, Morley, and Hassler, Megan Kaes Long


Review: British Music and Literary Context: Artistic Connections in the Long Nineteenth Century, Charles Edward McGuire

Submissions from 2014


Review: Performance, Popular Culture, and Piety in Muslim Southeast Asia, Jennifer Fraser


Review: The Art of Grafted Song: Citation and Allusion in the Age of Machaut, Jared C. Hartt


John Bull, Angelica Catalani and Middle-Class Taste at the 1820s British Musical Festival, Charles Edward McGuire


Oklahoma!, “Lousy Publicity,” and the Politics of Formal Integration in the American Musical Theater, James O'Leary

Submissions from 2013


Review: Divine Inspirations: Music and Islam in Indonesia, Jennifer Fraser


The Art of Grieving: West Sumatra's Worst Earthquake in Music Videos, Jennifer Fraser

Submissions from 2012

The Caldwell Collection of Viols: A Life Together in Pursuit of Beauty, Catharina Meints

Career of Dave Brubeck, Jeremy A. Smith

Submissions from 2011


Pop Song As Custom: Weddings, Ethnicity, And Entrepreneurs In West Sumatra, Jennifer Fraser

Submissions from 2010

Review: Mendelssohn And Victorian England, Charles Edward McGuire

Review: Film Music: A History, Colin Roust

Submissions from 2008


Listen up!: Thoughts on iPods, sonata form, and analysis without score, Brian Alegant

Submissions from 2007


On the Nature of Structural Framing, Brian Alegant

Submissions from 2006

Octatonicism in Luigi Dallapiccola's Twelve-note Music, Brian Alegant and John Levey

Submissions from 2005

So, Why Sol-Mi?, Peggy D. Bennett

Submissions from 2004


Taking Stock of Collections: A Strategy for Teaching the Analysis of Post-tonal Music, Brian Alegant

Submissions from 2003


Review: Six degrees of tonality and Beethoven in the temperament: Historical tunings on the modern concert grand, David Breitman

Submissions from 2002


Inside the cadenza of Schoenberg's piano concerto, Brian Alegant


Having Your Cake and Eating It Too: The Property of "Reflection" in Twelve-tone Rows (or, further extensions on the Mallalieu Complex), Brian Alegant and Marcus Lofthouse

Karl Gehrkens: Ohio Son, Music Education Pioneer, Comprehensive Musician, Peggy D. Bennett

Submissions from 2001

Cross-partitions As Harmony and Voice Leading in Twelve-tone Music, Brian Alegant


On the nature of enlargement, Brian Alegant

Submissions from 2000


Introduction and synoptic map, Roderic Knight

The bana, epic fiddle of Central India, Roderic Knight

Submissions from 1999

Counting Treasures: The Enumeration and Analysis of Musical Collections, Brian Alegant


When Even Becomes Odd: A Partitional Approach to Inversion, Brian Alegant


Metaphorically teaching: The use of metaphors in preparing teachers, Peggy D. Bennett

Submissions from 1996

Unveiling Schoenberg's op. 33b, Brian Alegant

Submissions from 1992


Back to School with Twelve Resolutions, Peggy D. Bennett


On Preparing Classroom Teachers to Teach Music: Rethinking Expectations, Peggy D. Bennett

Submissions from 1991

A Model for the Pitch Structure of Webern's Op. 23 No. 1, "Das dunkle Herz", Brian Alegant

Children's Pattern Perception, Accuracy, and Preference in Three Response Modes, Peggy D. Bennett


Music Out of Africa: Mande Jaliya in Paris, Roderic Knight

Submissions from 1988


The Perils and Profits of Praise, Peggy D. Bennett

The Even Partitions in Twelve-tone Music, Robert D. Morris and Brian Alegant

Submissions from 1987


From Hungary to America: The evolution of education through music, Peggy D. Bennett

Submissions from 1986


A responsibility to young voices, Peggy D. Bennett


When "method" becomes authority, Peggy D. Bennett

Submissions from 1985

The harp in India today, Roderic Knight

Submissions from 1984


Tricks, masks and camouflage: Is imitation passing for music reading?, Peggy D. Bennett


The Style of Mandinka Music: A Study in Extracting Theory From Practice, Roderic Knight

Submissions from 1982


Manding/Fula relations: As reflected in the Manding song repertoire, Roderic Knight

Submissions from 1979


Review: The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe, Roderic Knight

Submissions from 1977


Review: African Art in Motion: An Overview of African Dance Videotapes, Roderic Knight

Submissions from 1976


Review: The Griots: Ministers of the Spoken Word, Roderic Knight

Submissions from 1975


The Jali, Professional Musician of West Africa, Roderic Knight

Submissions from 1974

Mandinka drumming, Roderic Knight

Submissions from 1972


Towards a notation and tablature for the kora and its application to other instruments (revised), Roderic Knight

Submissions from 1971


Towards a notation and tablature for the kora and its application to other instruments, Roderic Knight