Submissions from 2024

Review: Paradise for a Tourist Brochure (art installation), Ana Perry

Review: Spoken Softly with Mama (art installation), Ana Perry

Review: Duncan Terrace Piano Destruction Concert: The Landesmans’ Homage to “Spring can really hang you up the most” (art installation), Ana Christina Perry

Submissions from 2022

Review: Leonardo: Discoveries from Verrocchio's Studio; Early Paintings and New Attributions, Christina Neilson


Raphael Montañez Ortiz with Ana Perry, Ana Perry and Raphael Montañez Ortiz


Review: Second Careers: Two Tributaries in African Art, Matthew Rarey

Review: Sensory Reflections: Traces of Experience in Medieval Artifacts, Matthew Rarey

Submissions from 2021


Inventing Apostolic Impression Relics in Medieval Rome, Erik Inglis

Submissions from 2020


Review: A Knight for the Ages: Jacques De Lalaing and the Art of Chivalry, Erik Inglis


"And the Jet Would Be Invaluable": Blackness, Bondage and The Beloved, Matthew Rarey


Never at Rest: African Art at the University of Wisconsin, Matthew Rarey and Henry John Drewal


Beasts of Flesh and Steel: The Post-Industrial Bestiaries of Apollinaire, Dufy, and Sutherland, Matthew Senior

Submissions from 2019

The Underground Silk Road: Pictorial Affinities in 5th century Chinese Cave Temples and Tombs, Bonnie Cheng

Passages and Malls in Translation: Commerical Architecture in Pahlavi Iran, Farshid Emami

Review: The Fascination of Persia: the Persian-European Dialogue in Seventeenth-century Art and Contemporary Art of Tehran, Farshid Emami


Royal Assemblies and Imperial Libraries: Polygonal Pavilions and Their Functions in Mughal and Safavid Architecture, Farshid Emami

Notions of Class and Culture in Housing Projects in Tehran, 1945–1960, Jaleh Jalili and Farshid Emami

Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art, Christina Neilson

Submissions from 2018

A Camel's Pace: A Cautionary Global, Bonnie Cheng


Técnicas perdidas y halladas: la concepción medieval de la historia de las técnicas artísticas (Media lost and found: the medieval understanding of the history of artistic techniques), Erik Inglis


Assemblage, Occlusion, and the Art of Survival in the Black Atlantic, Matthew Rarey

Submissions from 2017

The Lithographic Image and its Audiences, Farshid Emami

Handbook of the Collection, Chazen Museum of Art, Matthew Rarey

Submissions from 2014

Exchange Across Media in Northern Wei China, Bonnie Cheng

Submissions from 2011

Exchange and a Renewed Perspective on Stone, Bonnie Cheng

Non/Functional Realism: Imagined Space for the Dead in Northern Dynasties China, Bonnie Cheng


Jean Fouquet and the Invention of France: Art and Nation after the Hundred Years War, Erik Inglis

Review: "History in French Manuscripts": Imagining the Past in France: History in Manuscript Painting, 1250-1500, Erik Inglis

Architectural Terracottas from the “Sanctuary of the Dolphins” on Monte Pallano,Abruzzo, Susan Kane, Michael Crawford, and Silvano Agostini


Review: The Arts In Nazi Germany: Continuity, Conformity, Change, James A. Van Dyke

Submissions from 2010

3-dimensional reconstruction of a Hellenistic terracotta plaque, Sam Carrier, Masana Amamiya, and Susan Kane

The Space Between – Placing ‘Culture’ in Artistic Exchange, Bonnie Cheng

Report of the 2006 and 2007 Seasons of the Cyrenaica Archaeological Project, Susan Kane

The Use of Parian and Pentelic Marble in the Greco-Roman City of Cyrene, Susan Kane

Review: Blinky Palermo: Abstraction Of An Era, James A. Van Dyke

Submissions from 2009


New Isotopic and EPR Data for 22 Sculptures from the Sanctuary of Demeter and Persephone at Cyrene, Libya, D. Attanasio, Susan Kane, and N. Herz


Review: Donors of Longmen, Bonnie Cheng

Submissions from 2008


Faces of Power and Piety, Erik Inglis

The Production and Program of Fouquet's Boccaccio, Erik Inglis

Faces of Power and Piety: Medieval Portraiture, Erik Inglis and Elizabeth Morrison

Life “on the edge”: a view from the Abruzzo, Susan Kane

Transforming Power: the Use of Statues in the Cult of Demeter at Cyrene, Susan Kane and C. Di Stefano

Parmigianino’s Antea: A Beautiful Artifice, Christina Neilson

Submissions from 2007

Fashioning a Political Body: The Tomb of a Rouran Princess, Bonnie Cheng

Review: China: Dawn of a Golden Age 200-750 CE, Bonnie Cheng

墓葬,美術與政治 - 寧夏固原北周李仙墓再思考 (Modest Burials? Circumventing Imperial Decree in Northern Zhou Tombs), Bonnie Cheng

Recent Developments in Cyrene’s chora south of the Wadi bel Gadir, Susan Kane and Donald White

Review: Painting Desire: Parmigianino’s Antea, Christina Neilson

Submissions from 2006


Review: Chinese Steles: Pre-Buddhist and Buddhist Use of a Symbolic Form, Bonnie Cheng